Culture Jamming

"The culture can't be jammed." - Joseph Heath and Andrew Potter, The Rebel Sell. Despite the bold statements of neo-con Heath and ex-rebel Potter, sometimes the culture can be jammed. And even when it can't, damn it's fun trying. The following primer is borrowed from Wikipedia.org:

Culture jamming, or sniggling, is the act of using existing mass media to comment on those very media themselves, using the original medium's communication method. It is based on the idea that advertising is little more than propaganda for established interests, and that there is little escape from this propaganda in industrialized nations. Culture jamming's intent differs from that of artistic appropriation (which is done for art's sake) and vandalism (where destruction or defacement is the primary goal), although its results are not always so easily distinguishable. The phrase "culture jamming" comes from the idea of radio jamming: that public frequencies can be pirated and subverted for independent communication, or to disrupt dominant frequencies. The Situationist International first made the comparison to radio jamming in 1968, when it proposed the use of guerrilla communication within mass media to sow confusion within the dominant culture. (Kalle Lasn, the founder of AdBusters magazine, wrote a book entitled Culture Jam, but the term predates his title.) Culture jamming is a form of activism and a resistance movement to the perceived hegemony of popular culture, based on the ideas of "guerrilla communication" and the "detournement" of popular icons and ideas. It has roots in the German concept of spass guerilla and in the Situationist International. Forms of culture jamming include adbusting, performance art, graffiti, and hacktivism (such as cybersquatting).